Showing posts with label liberty Village. Show all posts
Showing posts with label liberty Village. Show all posts

01 April 2026

Signs

I did a post on the Mercer Women's Reformatory this week, and I came across this photo in my archives.


A.R. Williams was born Alfred Ruggles Williams in 1848, in Troy, Pennsylvania. He came to Canada sometime in the 1860’s.

In Liberty Village, the faded “A.R. Williams Machinery Company” ghost sign can still be seen on a building that incorporates part of the former Central Prison’s woodworking and ironworking shop. After purchasing the property from the decommissioned men’s prison, company founder A.R. Williams hired prominent theatre architects Kaplan and Sprachman to design a new warehouse on the site. Williams remained president of the company until his death at age 79 in May 1917.










29 March 2026

Women's History Month - Toronto Mercer Reformatory


March 2026 - Toronto ON

I read this book and it led me down a rabbit hole (thanks, Jinjer) which led me to writing this post and at the same time keeping a (analog) rabbit hole list. Read her post to make sense of what I just said!! More on this another time/post.

BOOK TITLE

Is titled after the real-life Toronto street located in Liberty Village, which was the location of the infamous Andrew Mercer Reformatory for Women. The name highlights the irony that this street was the first one inmates walked down upon their release, often after enduring abusive conditions.


I am stunned, disgusted, by the horrendous treatment of these women. The atrocities these women went through is unimaginable.
Some of the women in the Mercer's prison were locked up because of mental illness (post partum depression)(domestic violence), prostitution, under age petty theft, inter -racial children, teen pregnancy, women having too many children with different fathers, gender identity, being a lesbian, being incorrigible (Emily's case for admittance). The only way to be released was approval from the doctor who was Iris Stone. It was often denied.
Basically, this story is about the worst abuses women have endured under the law while incarcerated. 
Many of these laws were based on misogynistic legislation, old beliefs regarding women's mental health and many laws regarding marriage and the rights of husbands and fathers

I wanted to know why Emily couldn't just go to the prison warden and explain that she was undercover to get out after she got her story. I know, that wouldn't help the other prisoners, but she could get the facts out to the public. 
So I asked AI:

Emily Radcliffe cannot simply go to the warden and reveal her true identity to get out because her undercover investigation is based on a legally binding, manufactured guilty plea that purposefully strips her of her rights. 
As an editorial assistant at Chatelaine magazine in 1961, Emily goes undercover at the notorious Mercer Women’s Prison to investigate reports of abuse, but she finds that leaving is far more difficult than entering for several reasons: 

Legally Mandated Incarceration: To get inside, Emily had her father (a man of standing) instruct a judge that she was incorrigible, uninterested in marriage, and disregarded authority, resulting in her being sent to the prison for a six-month sentence under the real-life Female Refuges Act.

The Power of the System: The corrupt environment of the prison, specifically the actions of Dr. Eris Stone, makes it clear that revealing her identity as a reporter would not lead to an immediate release. In 1961, "subjective misbehaviour" was heavily punished, and a woman’s claim of being a journalist would likely be dismissed or met with violence rather than a release, especially given the "dark secrets" the warden and staff were protecting.

The Goal Was a "Scoop": Emily initially wanted to be a "hard-boiled" reporter with a career-defining byline. Simply admitting she was a fraud would ruin her opportunity to gather the necessary evidence to expose the horrific conditions within.

Internalized Fear: As she witnesses true brutality, she realizes that the "system" of the time is designed to turn women into obedient, docile, or broken individuals, making it difficult for even a privileged woman like Emily to fight back once inside. 
Emily's purpose changes from just getting a story to trying to help the women inside, making her undercover situation even more precarious, as simply walking out would mean abandoning the inmates she had come to know.


BOOK SYNOPSIS

Toronto, 1961: Emily Radcliffe works as an editorial assistant at Chatelaine magazine, surrounded by the best female reporters in the country, whose articles tackle the controversial topics no other women's publication dares to touch. When a bombshell letter from an inmate at the notorious Mercer Women's Prison lands on Emily's desk, she sees the scoop of a lifetime—one that could launch her career as a journalist. But after going undercover to investigate the inmate's shocking claims, Emily discovers that getting into the prison is the easy part; the real challenge will be getting back out . . .

Huron County, 1996: Unidentified female remains are discovered in an unmarked grave in a small-town Ontario cemetery, and Detective Rachel Mackenzie is tasked with unraveling the mystery. But when the investigation leads her to the now-shuttered Mercer Women's Prison, the family trauma she's kept buried for years threatens to surface.
Inspired by true events, Liberty Street is at once poignant and dazzling—an unforgettable, intertwining story about resilience, mental health, and the power of female connection.

The prison no longer exists, I do have this photo I took in 2018 of the Prison Chapel. It is still standing.

Mercer guidelines from 1916 state that all inmates were expected to attend daily religious services. Only Christian services were provided.







THE LAW


The Female Refuges Act: In the late 19th and early 20th centuries, this Ontario law was used to incarcerate young women at the Mercer Reformatory—located in the area—for "moral transgressions" or being "unmanageable or incorrigible".

Click here to read Ontario (1914). "Female Refuges Act, RSO 1914, c 134" (pdf). Osgoode Hall, York University.


WIKIPEDIA
The Female Refuges Act was an act passed by the Ontario Legislature. The Act granted judges the power to order the incarceration of women in Ontario for various reasons such as public intoxication, and morals crimes. It also granted judges the power to order the placement of girls who were deemed uncontrollable or 'incorrigible' into reform facilities. In these "industrial refuges", the inmates (if able) were expected to work, the proceeds of which were used to support the institution.

The first Act governing houses of refuge, An Act respecting Houses of Refuge for Females was passed in 1893. It was replaced by the Female Refuges Act in 1913. The 1913 act added several other terms for commitment to a house of refuge. The 1919 amendment added provisions for commitment for "drunkards", those begging, and for parents to commit their "incorrigible" daughters.

Terms and conditions for committal
Under the original 1893 act:
A judge could order any woman convicted of a crime to be committed to a refuge instead of a prison or local jail.
An inmate of a training school for girls could be committed to a refuge to complete the rest of their term.
The 1913 act incorporated the 1893 version terms and amended this to limit the age of inmates covered by the act to thirty-five and under.

The 1919 act added:
Any person could bring forth a woman under the age of thirty-five to a judge if they have been found begging in a public place.
Any person could bring forth a woman under the age of thirty-five to a judge, "is an habitual drunkard or by reason of other vices is leading an idle and dissolute life."
Any parent or guardian could bring forth a woman under the age of twenty-one "who proves un-manageable or incorrigible"
A judge or magistrate could send the woman to a refuge for a period of no more than five years,which was later reduced to two years in the 1919 version of the act.

Amendments
Subsequent amendments referred to matters of administration, such as municipal regulations. The 1939 amendment changed the terms of transfer from an industrial refuge from those "unmanageable or incorrigible" to any inmate to a "common gaol" or the Mercer Reformatory. In 1942, women sentenced to a training school could now be ordered to serve out their sentence at a refuge. The 1942 amendment also added the provision that orders under the act could now be appealed at the Ontario Court of Appeal.[8] In 1958, the administration of orders under the act became the responsibility of the Deputy Minister of Reform Institutions.

House of Refuge or Industrial Refuge
An "industrial refuge" was simply an institution designated by the Lieutenant-Governor in Council as a place to which females could be committed. One prominent institution was the Andrew Mercer Reformatory for Women in Toronto, which had as one department the Industrial Refuge for Girls. Another was Belmont House in Toronto, which opened in 1853 and closed in 1939. Roman Catholic women were sent to the "Good Shepherd" in Sudbury, and juveniles were sent to the Galt reform school.

Repeal
In the years leading up to 1964, increasing scrutiny was given to the primary facility, the Mercer Reformatory. In 1964, the Government of Ontario decided to repeal the act, passing An Act to repeal The Female Refuges Act. It also convened a grand jury to examine the Mercer Reformatory. They found deplorable conditions and recommended several reforms. The Mercer Reformatory was closed in 1969, five years later.

One woman, Velma Demerson, was incarcerated in 1939 because she was unmarried and living with a Chinese man. She was deemed incorrigible and placed in Mercer. Although pregnant, she was institutionalized for a period of ten months. She would later sue the Ontario government and receive an out-of-court settlement and an apology.

More Reading 
There is an interesting book review by CBRA Online.

 SOURCE  AndrewMercerReformatory.org for the following:

The Andrew Mercer Reformatory for Females King St. W., Toronto, c.1893. (Currently the site of Alan Lamport Stadium.) Photo from page 267 of The Toronto Board of Trade: "A souvenir," by Sabiston Lithographic & Publishing co. - Courtesy of the Toronto Public Library, Baldwin Collection 971.354 T59.

In 2019, Dr. Alanna McKnight stumbled upon an old Victorian building at the corner of Fraser Avenue and King Street West in Toronto, Ontario. After investigating, she discovered that the house was located on the grounds of the notorious Andrew Mercer Reformatory—now the site of Lamport Stadium in Liberty Village.

Recognizing the national significance of the reformatory, Dr. McKnight submitted an application for a commemorative plaque to Heritage Toronto. In the fall of 2019, the Heritage Toronto board accepted the proposal and began securing funding. 

Once we (Heritage Toronto) became aware of the initiative, descendants of former prisoners — including Mercer babies — actively joined the effort, contributing research, historical records, and lived experience to help shape the narrative and ensure the broader story of the Mercer Reformatory was represented. In December 2021, a motion initiated by former Toronto City Councillor Joe Cressy was successfully passed, and funding for the plaque was approved.




Canada’s first female-only prison was here from 1880 to 1969. The women and girls who were held at the Andrew Mercer Reformatory had been in conflict with the law, many accused of immoral actions. A facility for younger women – the Industrial Refuge for Girls – was attached to the main building.

While the Mercer Reformatory operated, the law strictly controlled women’s lives. Many poor, working class, or disabled women were put in prison for homelessness, drunkenness, unruly behaviour, and petty crimes. Women could be held indefinitely for up to two years, in many cases without a trial, based only on sworn testimony.

Some were jailed merely for actions then considered immoral, like dating someone of a different race or becoming pregnant, consensually or not, outside of marriage. Prisoners’ children, including babies born at Mercer, could be placed for adoption without consent. Prisoners were trained in duties expected of women and exploited for their labour.

Many prisoners suffered dire conditions and painful mercury and arsenic treatments for sexually transmitted infections, even if they tested negative. By the 1950s, Indigenous and other racialized women were overrepresented in the prison. Many women and babies died at Mercer.

In 1964, a Grand Jury report revealed negligence, abuse, and rundown facilities. Prisoners were moved in 1969 and the site mostly cleared. The appalling treatment of prisoners had lasting effects on those held there, their families, and descendants. As of 2023, there has been no public inquiry into the Mercer Reformatory.



27 June 2022

Photographing Public Art Challenge

June 2022 - Toronto ON

The City of Toronto requires that one per cent of the budget of every major new building be put toward the creation of a piece of art to adorn and improve the space it inhabits. It is up to the developers and their art consultants to find artists whose works will flush out some soul in amongst all the glass and concrete.



Francisco Gazitua has become a favourite of Toronto developers, with pieces of his now gracing developments by Concord Adex, Cityzen and Fernbrook Homes, and CanAlfa. 

The Chilean sculptor's Perpetual Motion, a reference to the industrial past of the area and in particular to the Inglis appliance factory which once stood on the site, was one of Liberty Village's first public art pieces. 
Interrupted by two buildings between them, Perpetual Motion is now joined by Split Rock Gap, a new piece which references time further back than Liberty Village's recent past. Gazitua's own words reveal his inspiration for the new work.
Years ago, while visiting Canada, my dear friend gave me a book of the works of the Group of Seven. Written in his dedication, he wrote that "their paintings still evoke the spirit of the land which is embedded in many Canadian lives."

  PERPETUAL MOTION


SPLIT ROCK GAP

Structurally, the work is made from painted stainless steel. The 3-tonne structure extends 11 meters high, grounded at a point which splits the load through a great steel ring, embracing a large granite boulder. The 50cm by 50cm ring also serves as seating, with the boulder at their backs.


One of Georgian Bay's iconic wind-shorn pines • Split Rock Gap model at Francisco Gazitua's studio in Chile
Their works, above all the paintings of Thom Thomson, truly capture the nature of the Canadian landscape. My work, Split Rock Gap, refers to these paintings, and their wind-shorn pines. The trees of the Great Lakes are the resilient sentinels of Canada - they rise through cracks in the hard granite of the precambrian shield. They bend and twist and push against the winter winds.

05 November 2021

Weekend Roundup

 Welcome to The Weekend Roundup...hosted by Tom The Back Roads Traveler



1. Starts with "S"
2. A Favorite
3.SILVER chosen by Tom

Starts with "S"
SCULPTURE STARLIGHT SPOTLIGHT SEARCHLIGHT
Toronto ON



FAVOURITE
SILVER SWING Queen St. W Toronto ON



SILVER
SILVER lining - driving from Dublin to Ballyvaughan Ireland 2005



Déjà Brew
A catchall for leftover beer, coffee, food, motels and whatever catches my fancy!
SCULPTURE SILVER SODA can
Toronto ON



10 December 2019

Vibrant Colours

Cee's Fun Foto Challenge

Toronto ON Bulk Barn


Toronto ON CNE


Toronto ON Liberty Village



Toronto ON Textile Museum


Toronto ON College St.


08 October 2019

Signs 2

Joining Tom at Signs2.
Wordless Wednesday Wordless Be There 2day

September 2019 - Toronto ON

A few signs encountered recently.


Liberty Village


MZTV Museum Liberty Village


Bathurst Station


27 September 2019

Food Stand

King St West Toronto

Saturday and a splendid later summer day, perfect for the Queen St. West Art Crawl in Trinity Bellwoods.



Absolutely fabulous work!




@CoffeeCoreConfession loved her coffee shop prints.


Another favourite Mandy Forbes embroidery. Image from her website.


Mike Nguyen

Ian Wright


Bought a print from Mario Beaudoin.









So hot out, ice cream was needed at Nadege, a French bakery.


John - Canadian Gourmet - maple, nuts and chocolate brittle
Mine - lemon cheesecake, not very lemony but lots of cheese chunks
Average.


And then, wouldn't you know, on the corner is an ice cream truck, Indian, that a friend was just telling us about. He kindly gave us samples, carrot and cream and sweet potato, both delicious. We're now following him, so we can try more of his flavours.



Dinner - classic lasagna using Catelli gluten free noodles.


Sunday and I was worried that it would rain on the Word On The Street (WOTS) festival but it cleared and was a hot late summer day.
John came with me this year and enjoyed it.
Sunday is the marketplace but it is so much more than that with many other bookish/author events taking place on week. There are readings that you can attend.

Since 1990, The Word On The Street has presented thousands of Canadian authors for readers of all ages and literary appetites. This year's schedule includes over 200 presenters on 14 stages.








View as we had lunch at Boxcar Social, strawberry salad and calamari. Not bad.






Author reading.



Interesting pavement art on Queen at Spadina.


Monday I went on an organization mission. Repotted some plants, cleaned the balcony. Met with a friend to complete our proxies for the condo general meeting.
Hung the new print.


Tuesday John and I headed to Bloor and Bathurst, the heart of Koreatown.


John was hungry so we went to NishDish.



NishDish Marketeria is doing more than just serving traditional Anishnawbe food, they’re reclaiming native food history and First Nations culture.

.


What started out as a catering company run by Chef Johl Whiteduck Ringuette has now blossomed into a cafe and restaurant in Koreatown selling breakfasts and lunches using traditional native ingredients, as well as products by local First Nations artisans.

A thirteen moon calendar is hand painted on the ceiling by Ren Lonechild, the same artist who decorated the exterior with birch trees.



John had their Three Sisters stew, delicious and spicy.
It is said that by the time the Europeans arrived in America in the late 1400s, Native Americans had been growing what they call the “Three Sisters” for centuries. These sisters were companion plants of corn, beans, and squash, and were the dietary staple for many of the tribes across the New World.


Then I had a surprise for John. His first comment was "hey, I'm not eating in a place called poop"!


Be ready for a lot of potty talk/images and humour.



Seat yourself on a toilet.



MMMM....water glasses.







Mango for me.


Peanut butter for John.


All this diversity makes me happy to live in such a vibrant city.


Animal Rights Toronto held a chalktivism at Christie Pits in August. They met to chalk up the side walk with vegan messages.






Long was a professional trumpet player who, in 1956, thought he could sell instruments to some of his friends in the music community. With the small store he set up on the second floor of the old house on Carlton Street in Toronto, he became a dealer for King Band Instruments. The store's floor was later divided up into music studios so that Long could teach trumpet lessons on the side. About 6 months later, Long rented out a room to a local drummer named Jack McQuade, which the latter used for drum lessons.
Last year this mural was on this wall.






One of the most Instagrammable murals in town. Studio 835's Make Good mural by 416Gallery owner and artist Jimmy Chiale.





More to come on these fabulous murals at




This was just unveiled on September 13. It is on the side of PAT, a large Korean grocery store full of interesting and exotic items.


A few blocks east is this mural, it is impossible to avoid the garbage cans.
It is on the side of Yi Fang Korean Fruit Tea.
Blinc Studios also did amazing murals in Chinatown. The dragon is wreaking havoc on a Toronto 1900 street scene.


Malts and cigarettes at the cut rate drugstore. Are they running from the dragon?




Probably more 1930s as this appears to be a lineup for a soup kitchen.


My purchase at PAT's.


Wednesday - golf and I waited for our new carpet to be delivered. Once it came around 2 PM I returned a library book.

Quebec strawberries bought on Bloor St. yesterday.




Two cookbooks, $5 each, that I bought at WOTS.



Returning my library book at City Hall branch.


Thursday we headed out at 9:30 to meet our friends at Union Station and took the bus to the Museum of Illusions.


This was a blast!















King St. streetcar to Liberty Village where we wander, have lunch, shop and visit the Zoomer Museum.


Lunch at the Barcelona Tavern, where we ate last year.


John and I shared the patatas fritas and veal bomba meatballs.











We had visited the MZTV Museum last year and it was fun to do again.




Back home and I stop by a friend's to drop off the stamps I ordered for her.



We ended up ordering Swiss Chalet chicken for dinner since I was so late coming back and John was busy setting up his new laptop!

Friday John went golfing with a friend, and it was a glorious day.



Before he left he put down the new carpet and I love it.



I made the mistake of going to Bay and Bloor by way of College Park, during the Climate Change protest but power to the people!!!!!

I didn't even attempt to take the subway east to Bay, but walked there instead.





SUMMER OF ICE CREAM

Bang Bang 2018 Ossington Ave
Taiyaki NYC Japanese Dundas W
Dainties Macaron ice cream macaron sandwich Spadina
Arctic Bites Thai stir fried ice cream rolls Baldwin St.
The Dessert Kitchen chocolate fondue Harbord St.
iHalo Krunch Queen St. W
Cafe Bora Yorkville 
Not Your Mother's Vegan Queen St. W
LeTAO College St. W
Bloom Cafe Yonge St.
Nadege Bakery Queen St. W at Trinity Bellwoods
Poop Cafe Bloor St. W

BOOKS

2019 WOTS Harbourfront Toronto

Reading The News Where You Are and really enjoying it.

LINKING UP WITH
Beth hosts Weekend Cooking where you can post anything food related.
Saturday Snapshots is hosted by A Web of Stories.
Sunday Salon

Toronto Reference Library - RECAP

 July 2026 - Toronto ON I wanted to do a post about one of my favourite buildings in the city, which happens to be a library!! Wikipedia tel...